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Manchester's Home launches theatremaking residency
Paul McEwan, Andrew Sheridan, Katherine Carlton, Rachel Atkins and Kelly Hotten in Inkheart at Home, Manchester. Photo: Graeme Cooper. News. by David Hutchison - Nov 7, 2016. Manchester arts centre Home has launched a two-year residency for one
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Pink Floyd: David Gilmour (vocals, guitar, keyboards, bass, programming); Rick Wright (vocals, keyboards); Nick Mason (drums, percussion). Additional personnel: Tim Renwick (guitar); Dick Parry (tenor saxophone); Bob Ezrin (keyboards, percussion); Guy Pratt (bass); Gary Wallis (percussion, programming); Jon Carin (programming, keyboards); Sam Brown, Durga McBroom, Carol Kenyon, Jackie Sheridan, Rebecca Leigh-White (background vocals). Engineers: Keith Grand, Andrew Jackson, Steve McLaughin. The second post-Roger Waters Pink Floyd album is less forced and more of a group effort than A Momentary Lapse of Reason - keyboard player Richard Wright is back to full bandmember status and has co-writing credits on five of the 11 songs, even getting lead vocals on Wearing the Inside Out. Several of guitarist David Gilmour's lyrics (co-written by Polly Samson and Nick Laird-Clowes of the Dream Academy) might be directed at Waters, notably Lost for Words (the title is a perfect expression of where Waters' absence leaves the band) and A Great Day for Freedom, with its references to the wall coming down, although the more specific subject is the Berlin Wall and the fall of Communism. (All of this is in a great Pink Floyd tradition - Waters himself spent a lot of time writing about the departure of Syd Barrett.) In any case, there is a vindictive, accusatory tone to songs such as What Do You Want from Me and Poles Apart, and the overarching theme, from the album title to the graphics to the I-you pronouns in most of the lyrics, has to do with dichotomies and distinctions, with I always having the upper hand. Musically, Gilmour, Nick Mason, and Wright have largely turned the clock back to the pre-Dark Side of the Moon Floyd, with slow tempos, sustained keyboard chords, and guitar solos with a lot of echo. ~ William Ruhlmann
Manchester arts centre Home has launched a two-year residency for one theatremaker to develop a piece of work to be staged in its main theatre. The residency, dubbed T1 Commission 2019, is part of a new training programme aimed at theatremakers “at all career stages”, which will also see the centre offer skills workshops, courses and showcases of work in development. Strands on the training scheme include research and development programme Made at Home, for mid-career theatremakers to “experiment and explore” ideas and collaborations. There will also be further residencies for directors in partnership with the JMK Trust, while visiting artists will give workshops and skills training as part of a scheme called Artist Connect. Home will also host two theatre festivals as part of the programme: Orbit, focused on “exciting and critically acclaimed” shows from Edinburgh Festival Fringe, and Push, which aims to “shine a light” on up-and-coming regional talent. He explained: “The T1 Commission is a one of a kind pilot project that will provide a unique opportunity to create work for our stage in Theatre 1. Made at Home will allow theatremakers to experiment free from the pressure of public performance,...
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