Geraldine McEwan


Related Items on eBay

View all 3 items...

Geraldine McEwan Remembered

Actors Delena Kidd and Alan Rickman, and former theatre critic Michael Ratcliffe, join Richard Digby Day to celebrate the life and career of the much-loved .

Farce and fatality in Loot – the birth of Joe Orton's blackest comedy ...

We look back at Loot's production history and Orton's often fraught relationships with his forthright agent, jealous lover and dismayed cast.

Actor B:

Actor A:

Actor M:

Actor H:

Actor L:

Actor R:

Actor Q:

Actor S:

Actor K:

Actor T:

Actor O:

Actor D:

Actor W:

Actor C:

Actor P:

Geraldine McEwan

Unknown (Miscellaneous)

Price: $11.99 ( Show details )

Geraldine McEwan

Unknown (Posters & Prints)

Price: $19.99 ( Show details )

Agatha Christie's Marple: The Geraldine McEwan Collection DVD

Agatha Christie's Marple: The Geraldine McEwan Collection DVD


Price: $84.98

Buy The Agatha Christie's Marple: The Geraldine McEwan Collection DVDOnline & Save! Choose From a Huge Selection of DVDs, Blu-rays, CDs & Video Games. You can use your store Backstage Pass for 10% off on the site.

Actor M Guide

Mog the Forgetful Cat (Read aloud by Geraldine McEwan)

This is a read-along edition with audio synced to the text, performed by Geraldine McEwan. The classic story about everyone’s favourite family cat, Mog!

The Tiger Who Came to Tea (Read aloud by Geraldine McEwan)

This is a read-along edition with audio synced to the text, performed by Geraldine McEwan. This classic story of Sophie and her extraordinary tea-time guest has been loved by millions of children since it was first published over 30 years ago.

Farce and fatality in Loot – the birth of Joe Orton's blackest comedy ... - The Stage

It was not just that Joe Orton died at 34, but the manner of it – his gruesome murder at the hands of his lover, Kenneth Halliwell – that firmly established him in the public consciousness. Orton’s career, which faltered while he was alive, took off after his untimely death in 1967. Scandal and notoriety are catnip at the box office. In his lifetime, he was championed by celebrated writers’ agent Peggy Ramsay. When they met in 1964 she was at the height of her influence and found herself intoxicated by the playwright’s originality, raw talent and his openness about being gay. Having cut his teeth with a radio play – The Ruffian on the Stair – Orton found his voice with his first stage play, Entertaining Mr Sloane (1964), about a middle-aged brother and sister competing for the sexual favours of their androgynous young... Though heavily influenced by Pinter, who was already feted by this time, Mr Sloane was sufficiently distinctive to garner favourable reviews. Harold Hobson in the Sunday Times compared its juxtaposition of extravagant language and Gothic content to Jane Austen’s Northanger Abbey, while Ronald Bryden in the Observer called Orton “the Oscar Wilde of welfare state gentility”. He wrote Loot, currently being revived at the Park Theatre in North London, a year later. If Mr Sloane was a black comedy with farcical overtones, Loot was an out-and-out farce, albeit one conceived by a social anarchist with multiple axes to grind – as Michael Billington put it, “Feydeau with fangs”. Orton made it clear to his producer Michael Codron that the primary aim of Loot was not to make the audience laugh. “Ideally it should be nearer The Homecoming than I Love Lucy,” he wrote, making no secret of his admiration for Pinter’s 1964 play. Unlike The Homecoming, Loot boasts a properly constructed plot. Two young felons, Hal and Dennis, rob a bank next door to the funeral parlour where Dennis works. They try to hide the ill-gotten gains in the coffin meant for Hal’s mother, which means they have to find a place to hide the corpse. The mayhem is underpinned by Orton’s robust condemnation of the police force, the Catholic church and middle-class morality. The star turn in Loot is Inspector Truscott, the borderline psychotic policeman investigating the crime. Over the years, Truscott has been played by David Haig, Michael Bates, George Rose, Leonard Rossiter and David Troughton, among others. The role was written for Orton’s friend Kenneth Williams, who was already a star in the mid-1960s, and Williams played the role, with disastrous consequences when the play was first produced for a pre-London tour. The tour opened in Cambridge to poor notices from the local press: reviews criticised it for being “shapeless” and “boring”. Orton attempted to rewrite whole chunks of the play to the dismay of the cast, which included Geraldine McEwan and Ian McShane. Ramsay despaired of the production ever opening in London. “If you dislike Loot, perhaps it is the essential me as a writer you dislike,” Orton wrote to Ramsay. Wimbledon was the last booking before the opening in central London. Codron, by now sick with apprehension, announced that he could not find a West End theatre to take the show. Although Orton and Ramsay did not part company – Ramsay promised Orton she would restage the play later that year – the initial production of Loot had run its course. When interviewed in the 1980s, Kenneth Williams was the first to admit that the whole production had been misconceived and that he was hopelessly miscast as Truscott. Amazingly, his friendship with Orton and Halliwell survived the experience, at least until Orton’s death two years later. “Halliwell couldn’t cope with Joe’s artistic temperament and his need to be promiscuous,” Williams said. Kenneth Cranham, who was in the second, successful production of Loot at the Royal Court later in 1965, remembers Halliwell as “an absurd figure in a terrible wig”, who bitterly disliked living in Orton’s shadow. Loot was still running, having transferred to the West End, when Orton was murdered. Cranham recalled how difficult it was to carry on. “So many lines in the play took on a different resonance,” he said.


  1. We look back at Loot's production history and Orton's often fraught relationships with his forthright agent, jealous lover and dismayed cast.
  2. Geraldine McEwan, who has died aged 82, could purr like a kitten, snap like a viper and, like Shakespeare's Bottom, roar you as gently as any sucking dove. She was a brilliant, distinctive and decisive performer whose career incorporated high comedy on
  3. McEwan had two children – a son, Greg and a daughter Claudia, pictured here aged three. Photograph: Anthony Wallace/Rex. Facebook Twitter Pinterest · Mcewan had two children, a son, Greg and a daughter Claudia, pictured here 
  1. @MerrianOW I prefer Geraldine McEwan but I haven’t seen Joan Hickson’s Marple.
  2. RT @HuntingdonWSOC: A lesson for all of us... when you think you’ve lost everything, there is hope.” ―Geraldine Solon Prayers for our fami…


Mrs. Geraldine's Ground Beef Casserole (pasta, green pepper, brown sugar, celery, cream of mushroom soup, ground beef, mushroom, onions, salt, cheddar cheese, tomato sauce, tomato, worcestershire sauce)

Upside-Down Peach Muffins (baking powder, brown sugar, butter, eggs, flour, milk, peach, salt, shortening, sugar)

Crunchy Peanut Butter Bars (brown sugar, butter, peanut butter, peanut butter, cornflakes, eggs, flour, salt, semisweet chocolate chips, shortening, vanilla extract)

Cornish Hens with Rice Dressing (celery, chicken broth, marjoram, rice, onions, black pepper, salt, vegetable oil)


Geraldine McEwan - IMDb
Geraldine McEwan, Actress: Robin Hood: Prince of Thieves. Geraldine McEwan was born in Old Windsor, England and made her theatre debut at the age of 14 at the Theatre ...

Geraldine McEwan
Geraldine McEwan, british actress geraldine McEwan, actress Geraldine McEwan, theatre actress Geraldine McEwan, London Theatre actress Geraldine McEwan, Films of ...

Geraldine McEwan Biography
geraldine mcewan actress, Biography Geraldine McEwan, Films of Geraldine McEwan, Lazarus Child starring Geraldine McEwan, Magdalene Sisters cast Geraldine McEwan ...


Nature Study Notes, Cafe Oto, Dalston, London, E8
The Scratch Orchestra’s Nature Study Notes’ - performed by an ensemble of original Scratch Orchestra members and new performers including: Jane Alden, George Chambers, Linn D, Carole Finer, Sharon Gal, John Hails, Bryn Harris, Les Hutchins, Robbie Lockwood, Geraldine McEwan, Matt Scott, Hugh Shrapnel, Stefan Szczelkun, Emmanuelle Waeckerle, Ali Warner. Nature Study Notes is a collection of 152 written instructions or 'scores' that was published as a booklet by Cornelius Cardew at the beginning of the Scratch Orchestra in 1969. The scores are called 'rites' and were used in many of the early Scratch Orchestra concerts
Geraldine McEwan, Michael Gwynn and Dirk Bogarde in "Summertime," the Ugo Betti play at the Apollo. From The Stage, November 17, 1955, p. 9 (photo by Antony Armstrong-Jones?). Another shot here.

10 Revolving Door |