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Harrison Barnes scored 17 of his 22 points in the first half, leading the Mavericks to a 17-point first-quarter lead. Chicago pulled within six points three times in the second quarter, but Dallas finished the first half with a 57-45 lead. In the third
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The career of Matthew Arnold as an eminent poet and the preeminent critic of his generation constitutes a remarkable historical spectacle orchestrated by a host of powerful Victorian cultural institutions. The Cultural Production of Matthew Arnold investigates these constructions by situating Arnold?s poetry in a number of contexts that partially shaped it. Antony H. Harrison reopens discussion of selected works by Arnold in order to make visible some of their crucial sociohistorical, intertextual, and political components. Only by doing so can we ultimately view the cultural work of Arnold? steadily and. whole,? and in a fashion that actually eschews this mystifying premise of all Arnoldian inquiry which, by the early twentieth century, had become wholly naturalized in the academy as ideology.
Racism in the 21st Century
The scion of a political dynasty ushers in the era of big government Politics was in Benjamin Harrison's blood. His great-grandfather signed the Declaration and his grandfather, William Henry Harrison, was the ninth president of the United States. Harrison, a leading Indiana lawyer, became a Republican Party champion, even taking a leave from the Civil War to campaign for Lincoln. After a scandal-free term in the Senate-no small feat in the Gilded Age-the Republicans chose Harrison as their presidential candidate in 1888. Despite losing the popular vote, he trounced the incumbent, Grover Cleveland, in the electoral college. In contrast to standard histories, which dismiss Harrison's presidency as corrupt and inactive, Charles W. Calhoun sweeps away the stereotypes of the age to reveal...
In the post-Civil Rights era, there is a temptation to assume that racism is no longer the pressing social concern in the United States that it once was. The contributors show that racism has not fallen from the forefront of American society, but is manifest in a different way. According to the authors in this volume, in 21st century, skin color has come to replace race as an important cause of discrimination. This is evidenced in the increasing usage of the term “people of color” to encompass people of a variety of racial and ethnic backgrounds. The editor has compiled a diverse group of contributors to examine racism from an interdisciplinary perspective. Contributions range from the science of racism, from its perceived biological basis at the end of the 19th century, to sociological...
With the end of the year fast approaching, I thought I'd take a look back at the shows I've seen in 2016. Plays. It has been a good year for plays for me. I normally focus almost exclusively on musicals and, while I still saw more of them than any other type of show, I wanted to make more of an effort to see straight plays this year, and I actually hit 15.... (I was less keen on The Curious Incident Of The Dog In The Night-Time than my friend Stacey, who came with me, was, but despite being distracted by my dislike of the staging I could recognise the excellence of the acting. ) Highlights for me – Gemma Arterton leading an incredibly good cast in the utterly wonderful Nell Gwynn (I also got to see a childhood crush of mine, Michelle Dotrice, who was wonderful in a supporting role. ) Possibly the best performance I’ve seen of Romeo and Juliet , with Rob Ashford and Kenneth Branagh directing Lily James and Richard Madden at the Garrick. While the central couple were good, the undoubted stars here were Derek Jacobi – whose ‘stunt casting’ as Mercutio worked perfectly – and Meera Syal, who was a fabulous nurse. ) Other outstanding actors I saw included Pixie Lott in Breakfast at Tiffany’s , Ralph Fiennes in The Master Builder (easier to understand than I’d expected/feared from Ibsen), Dominic Cooper as a smouldering, roguish title character in The... Perhaps my absolute favourite single performance of the year, though, was former Friends star Matthew Perry in The End Of Longing. While the play of the year for me has to be Harry Potter and the Cursed Child – I think that in terms of capturing the atmosphere I wanted from a new HP story, and producing it on the West End stage, it was an incredible achievement, and it was... I persuaded Debbie to come see this comedy, about a comedy club’s weekend just after Benny Hill passes away, mainly because I got cheap front row tickets in a flash sale. Neither of us had especially high hopes (despite a strong cast including Ralf Little and Steve Pemberton) but it was a completely hilarious evening which I would love to see again at some point. Dance, on the other hand, went less well this year. I saw 8 shows – which I think is perhaps the least I’ve seen since coming down here – but only a couple stand out as especially good. Seeing Natalia Osipova and Sergei Polunin dance together at Sadler’s Wells was definitely a thrill (although I think I possibly found Sidi Larbi Cherkaoui’s Qutb , where Jason Kittelberger and James O’Hara danced with Natalia, a better piece... ) I think the best show of the year, though, has to be The Merchants of Bollywood , featuring stunning costume, brilliant dancers, and outstanding choreography by Vaibhavi Merchant and Shruti Merchant. I need to take better notes on circus stuff as me and Debbie go quite a lot (6 times this year) and all I’ve got is various combinations of “Good”, “Yay. ” (Oh, and a “not up to their usual standards” for 7 Fingers, but to be fair 7 Fingers’ usual standards are SKY-high so their show was still worth seeing. From what I remember, it was more dance than usual, though. ) So while it's been a good year, trying to figure out from my fairly terrible notes which of several shows I enjoyed most is something of a struggle. That said, I really liked Closer , Cirque Eloise’s iD , and Zippos present Cirque Berserk. I do remember, thankfully, that the two we saw as part of Circusfest 2016 at the Roundhouse – Race Horse Company: Super Sunday and Barely Methodical Troupe: Kin – were especially good and Super Sunday, in particular, featured a LOT of... These are always the main attraction for me when it comes to shows, and this year was no exception. While my very favourites were things I'd seen before, I also saw a bunch of new/new-to-me shows and enjoyed a lot of them.
Anne's Fabulous Grilled Salmon (ginger, honey, lemon, shallot, soy sauce, vegetable oil, worcestershire sauce)
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Betty's of York Tea Room Fat Rascals - Fruit Buns/Scones (baking powder, almonds, butter, currant, eggs, glace cherries, caster sugar, flour, heavy cream)
The Clockmaker's Caramel Coated Popcorn (A Haunted Recipe) (baking soda, brown sugar, karo, margarine, popped popcorn, salt, vanilla extract)
Matthew Fisher - Wikipedia
Matthew Charles Fisher (born 7 March 1946) is an English musician, songwriter and producer. He is best known for playing the Hammond organ on the 1967 single, "A ...
Matthew Ferguson - Wikipedia
Matthew Ferguson; Born (1973-04-03) 3 April 1973 (age 43) Toronto, Ontario, Canada ... Matthew Ferguson (born 3 April 1973) is a Canadian actor.
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Matthew S. Harrison - Citations
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