Orson Welles on the radio, c. 1938 (Photo: Hulton Archive/Getty Images) Orson Welles on the radio, c. 1938 (Photo ...
His Mercury Theatre project (along with John Houseman) received its own Sunday-evening slot in the fall of 1938, and on October 30, Welles and company perfectly sent up H.G. Wells' The War Of The Worlds as a straight-up newscast, terrifying listeners
(Buy.com (dba Rakuten.com Shopping))Price: $13.54
On the centennial of his birth, the defining wunderkind of modern entertainment gets his due in a groundbreaking new biography of his early years?from his first forays in theater and radio to the inspiration and making ofCitizen Kane. In the history of American popular culture, there is no more dramatic story?no swifter or loftier ascent to the pinnacle of success and no more tragic downfall?than that of Orson Welles. In this magisterial biography, Patrick McGilligan brings young Orson into focus as never before. He chronicles Welles?s early life growing up in Wisconsin and Illinois as the son of an alcoholic industrialist and a radical suffragist and classical musician, and the magical early years of his career, including his marriage and affairs, his influential friendships, and his artistic collaborations. The tales of his youthful achievements were so colorful and improbable that Welles, with his air of mischief, was often thought to have made them up. Now after years of intensive research, McGilligan sorts out fact from fiction and reveals untold, fully documented anecdotes of Welles?s first exploits and triumphs, from starring as a teenager on the Gate Theatre stage in Dublin and bullfighting in Sevilla, to his time in the New York theater and his fraught partnership with John Houseman in the Mercury Theatre, to his arrival in Hollywood and the making of Citizen Kane. Filled with intriguing new insights and startling revelations?including the surprising true origin and meaning of? Rosebud Young Orson is a fascinating look at the creative development and influences that shaped this legendary artistic genius.
For over half a century, John Houseman played a commanding role on the American cultural scene. Nobody in the business has been a major part of so much of it. Almost every significant talent and personality collaborated with Houseman in the theater, Hollywood, radio and television. In Unfinished Business, the 1500 pages of his three earlier memoirs, Run-Through, Front and Center and Final Dress have been distilled into one astonishing volume, with fresh revelations throughout and a riveting new final chapter which brings the Houseman saga to a close.
Do you know who would have understood our current political moment. Charles Dickens , that’s who. The villainy in Oliver Twist alone suffices to show just how well Dickens understood misogyny, criminal exploitation, and the ways seductive insincerity works to ensnare the vulnerable. As we approach the interminable holiday season, many of us will reflect on Dickens’ scathing indictment of greed in A Christmas Carol. Nearly everyone wants a piece of Dickens’ presumed political views. But Dickens was no revolutionary. His foreign policy ideas “anticipate Kipling’s proletarian defenders of empire,” and he might have fit right in with the most starry-eyed of neoconservatives. Characters like pre-redemption Scrooge and Ralph Nickleby—who in, say, Ayn Rand’s hands might be champions of individualism and selfishness as a virtue—become in Dickens’ novels examples of frighteningly truncated humanity. This is the look of the deceitful, scheming businessman in Dickens: the cold eyes, the barely-concealed malice. In novels like Oliver Twist and Hard Times , Dickens “provides a damning critique of industrial England of the nineteenth century” and “an indictment of global laissez faire capitalism of the twenty-first century. ” So argues The Copperfield Review , in any case. But when we read Dickens, we don’t do so foremost to have our political views bolstered or challenged, but to experience the immensely moving and entertaining plots, with their vividly delineated characters like Ralph Nickleby above. These qualities have always made Dickens’ work translate beautifully to the stage and screen, and also to the radio waves, where Dickens appeared in dramatic adaptations during the medium’s golden age and beyond, often in star-studded productions. For example, at the top of the post, you can hear a 1950 radio play of David Copperfield with Richard Burton in the title role and Boris Karloff as “the smarmiest creep in Dickens,” Uriah Heep. The latter character may be one of the most obsessively described in all of the author’s works, to the point of caricature. And yet, writes Sam Jordison at The Guardian , “just as Satan gets the best lines in Paradise Lost , Heep gets some of the best moments in David Copperfield. Further up, you can hear Orson Welles star in a 1938 production of A Tale of Two Cities. This play is the third in Welles and John Houseman’s series The Mercury Theatre on the Air , which featured Welles’ handpicked company of actors. Soon sponsored by Campbell’s Soup, the program was renamed The Campbell Playhouse by the time Welles produced an adaptation of A Christmas Carol with Lionel Barrymore as Scrooge. In the Spotify playlist above, hear that production as well as a second Welles-starring version of A Tale of Two Cities recorded in 1945 for the legendary Lux Radio Theater. You’ll also find Richard Burton’s David Copperfield and classic productions of Great Expectations , Oliver Twist , The Pickwick Papers , The Mystery of Edwin Drood , and short stories like “The Queer Client,” “The Signalman,” and “The Trial for... Visiting, or revisiting, the Dickensian world through radio plays fits in perfectly with the author’s own mode of disseminating his fiction: he was a showman who loved to give readings of his work “with full histrionic brilliance,” writes Simon... ” And through such entertainment, he believed, he might move readers and audiences with his critiques of the exploitative systems of his day. The playlist above will be added to our collection,. -- XHTML: You can use these tags:
Roti John Recipe (black pepper, eggs, olive oil, garlic, green chilies, baguette, sardines, chilli, onions)
John Sally's Guacamole (california, cilantro, lime juice, corn, jalapeno, chipotle sauce, olive oil, red onions)
Hoppin' John Salad with Molasses Dressing (apple cider vinegar, cayenne, molasses, olive oil, red onions)
Long John Silvers Batter Clone Recipe (bisquick, club soda, eggs, lemon juice, flour)
John Houseman - Wikipedia, the free encyclopedia
John Houseman (born Jacques Haussmann; September 22, 1902 – October 31, 1988) was a Romanian-born British-American actor and producer who became known for his highly ...
John Houseman - IMDb
John Houseman, Actor: The Paper Chase. Academy Award-winning actor John Houseman's main contribution to American culture was not his own performances on film but ...
John Houseman - Biography - IMDb
Academy Award-winning actor John Houseman's main contribution to American culture was not his own performances on film but rather, his role as a midwife to one of the ...
John Houseman - Cinéma Passion
Image by www.cinemapassion.com
John Houseman | Celebrities | Hollywood.com
Image by www.hollywood.com
Image by www.imdb.com