Commitment-phobic Jack gets dumped first for a change, which prompts him to revisit all of his past failed relationships. Director: Craig David Wallace Music: Ari.
Review: Age of Arousal
Set in 1880s England, Age Of Arousal centres around an all-female secretarial school run by the well-off Mary (Julie Stewart), active in the suffrage struggle, and her younger lover, Rhoda (Marie Beath Badian). They want to teach women modern skills
Women in Music
A lot of plays are bad. And one bad play, it seems, can turn us off theater for good. So, what can we learn from the bad play? Jordan Tannahill, after talking to theater heavy-hitters from Australia to Berlin, offers a roadmap for a renewed theater, one that is less insular, less insulting, with better infrastructure. In reconsidering dramaturgy, programming strategies, and alternative models for producing, he aims to turn theater from an obligation to a destination. Jordan Tannahill is a multidisciplinary artist based in Toronto. His production of Sheila Heti's All Our Happy Days Are Stupid will be performed in New York in 2015.
Women in Music: A Research and Information Guide is an annotated bibliography emerging from more than twenty-five years of feminist scholarship on music. This book testifies to the great variety of subjects and approaches represented in over two decades of published writings on women, their work, and the important roles that feminist outlooks have played in formerly male-oriented academic scholarship or journalistic musings on women and music.
The release of the film Suffragette should raise awareness about England's suffrage movement. So Factory's revival of Linda Griffiths 's 2007 play is a smart move. Not that the clever and engaging play needs the help of a substandard movie. Set in 1880s England, Age Of Arousal centres around an all-female secretarial school run by the well-off Mary ( Julie Stewart ), active in the suffrage struggle, and her younger lover, Rhoda ( Marie Beath Badian ). They want to teach women modern... The older siblings, Alice ( Juno Rinaldi ) and Virginia ( Aviva Armour-Ostroff ), aren't sure how to get by since they're beyond marriageable age and grudgingly sign up for lessons. But the youngest, Monica ( Leah Doz ), is busy flirting with men, including Mary's cousin, the physician Everard ( Sam Kalilieh ), who also has an eye on Rhoda. The period setting lets Griffith riff on lots of things, including contraception, the words "old maid" and "spinster" and the image of the fainting woman, which provides a hilarious - and very physical - end to the first act. Rinaldi and Armour-Ostroff bite lustily into their showy roles, especially the latter, whose Virginia is amusingly fierce and frustrated before moving to Berlin, where she discovers another part of her identity. Doz's presence and concentration draw your eye to her constantly, while Kalilieh makes the heavy lifting required of the sole male onstage seem effortless. The relationship between Mary and Rhoda, however, doesn't resonate as it might. ) And Badian's shrillness and wavering English accent don't help matters. But this is a fine play, and director Jennifer Brewin , working with a stripped-down set as part of Factory's "Naked" season, manages to tell it with a lively spirit and intelligence. The lack of a set - there are some tables and benches - is bad for acoustics. But the space works beautifully during a scene set at an art gallery.
Cornbread - Tastes Like Marie Callendars Recipe (bisquick, eggs, milk, sugar)
Marie's Easy Slow Cooker Pot Roast (carrot, celery, chuck roast, onions, onion soup mix, potato, salt, water)
Marie's Chicken Bake (bread crumbs, butter, thyme, paprika, parmesan cheese, sesame seed)
Marie Callender's Famous Golden Cornbread (copycat!) and Honey B (baking powder, cornmeal, eggs, flour, salt, shortening, sugar, whole milk)
Tonsättare A – Ö – KVAST
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Blyth Festival Theatre | Past Productions
Celebrating our 42nd season in 2016; producing the best of professional Canadian theatre in Ontario.