William Amos - Le vrai changement dans Pontiac - Real Change in Pontiac http://williamamos.
Out of the past
The board completed its reorganization following the shareholders meeting by re-electing all officers of the association. They are William F. Kingseed, president; Charles R. Benjamin, senior vice president; Joseph B. Cook and William T. Amos, vice
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Personnel: Big L, Terra, Herb McGruff, Buddah Bless, Twan, Killa Kam, Trooper J, Mike Boogie (vocals). Producers: Buck-Wild, Lord Finesse, Showbiz, Craig Boogie. Engineers: Tony Smalios (tracks 1, 6); Chris Conman Conway (tracks 2-5, 7-12). Recorded at Powerplay Studios, Unique Studios and Chung King Studios, New York. All songs co-written by L. Coleman. Samples include Vibrations (as performed by Buster Williams) and Stay With Me (as performed by DeBarge). Liner Note Author: Chris Farone. Recording information: Chung King Studios, New York City, USA; Power Play Studios, New York City, USA; Unique Studios, New York City, USA. Photographers: Ricky Powell; Evan Amos. Having made a name for himself as a guest MC on D.I.T.C. (Diggin' in the Crates) projects such as Diamond D.'s Stunts, Blunts & Hip-Hop and Showbiz & A.G.'s Runaway Slave, the flamboyantly gifted Lamont Coleman (aka Big L) dropped his debut in early 1995. A product of the mean streets of Harlem, L made his bones in the rap game with his rapid fire freestyle delivery and clever punchline-peppered rhymes. A patchwork album with a few outstanding cuts, Lifestylez fails to package the lightning-in-a-bottle talent of this cut-above MC. The album showcases L as a master of the lyrical stickup undressing his competition with kinetic metaphors and a brash comedic repertoire. The lead track, Put It On produced by Kid Capri, is a party cut with a criminal attitude. M.V.P. snatches a brief segment from DeBarge's Stay With Me (later aggrandized on the Notorious B.I.G.'s popular remix of One More Chance). Da Graveyard features a young Cam'ron (here Killa Kam) and most notably a superb verse from a pre-Jigga Jay-Z (at the outset of his solo career). With better production and marketing, Big L might have found himself with a platinum album but instead he settled for platinum respect. This album captures the dynamic potential of a street legend, a legend who would later be gunned down in his prime. ~ M.F.
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Personnel: Jack Kingfisher (vocals, guitar); Amelia Lewis (vocals, piano); Querina B. Martinez (vocals, keyboards); Libby Marcus (vocals, drums); Sandy Frazier, Peggy Tsoodle, Karl McKinney, Vanessa John, Janis McKinney, Bessie Long, Marvin Yoyokie, Devon Kirby, Shirley Feeling, Twilla Jarvis, Melinda Doxtator, Terry A. Corneilous, Reannon Frazier, Carolyn Bohanan, Lula M. Bidtah, Milt Noel, Dori Grayson, Dorothy Williams, Yvonne Skenandore, Zelda Yoyokie, Edward Jerome Tahhahwah Sr, Mark Wauahdooah, Kinsey Shade, Lottie Yoyokie, Eveline Steele, Cleland Willis, Megan Ross, Carole LaFrance Ross, Kateri Kathleen Thompson, Paige Haines, Sylvia Medina, Frances McCarter, Dyrene Jitter Garfield, Arlie Doxtator, Lucille Aitson, Nico Pewewardy, Melvin L. Gaines, Louise Ishcomer, Ashley Proctor, Lorene Ballard, Rosalind Cata, Ellen Emery, Gordon McLester, Betty Dennison, Maxine Aitson, Bonita Paddyeker, Frank Corneilous, Leslie Ketcher, Marlene Haumpy, Judith Hampton, Theresa Andrew, Delores Harragarra, Felicita M. Garcia, Caroline Buffalomeat, Everett Corneilous, Fred Tsoodle, Kayla Sharp, Mae Cole, Mary Polacca, Margie Broberg, Stella T. Vigil, Dorothy Willis, Clarence Blind Lemon Jefferson, Harding Yazzie Jr, Sallie Kerchee Tonips, Derek Willis, Selena Smoke, Patricia Owen, Esther McKinney, Delores Skenandore, Harold Pewewardy, Heather Crittenden, Diana Mouse, Harvey Williams, Marian Montoya, Elena Nicolai, Carrie Horse, Oxenia Isaac, Austin Battiest, Nicholai Isaac, Martha Grow, Rev. Thomas A. Andrew, Pearl Reid, Michelle Hill, Russell Feeling, Donald Horse, Arlene Collins, Annie Chalepah, Prudy Doxtator, John Haumpy, Rose Johnson, Margaret Allen, Karen Williams, Linda Hill, Andrien Watkins, Amos Steele, Julian Martinez, Carter Cornelius, Leo B. Jefferson, Ryan Sierra, Josie Cornelius Daebler, Barbara Battiest, Pawnee Crabtree, Doris Bilagody, Gail Long, Louise Dreadfulwater, Holly Backwater, Alex Lewis, Betty Kingfisher, Susan Wenster Lemens, Vincent Pocowatchi
I am fascinated by song stories. Here are my my "scoops", posted here for your enjoyment, and for what I hope will feed our mutual curiosity about His musical purposes for us. Join me in this history adventure, as we find what circumstances coalesced to create the songs we all love. Play detective with me, and tell me what song "scoops" you may know that I don't. And, there was lots of death about him that summer of 1864, so was he getting a preview of Revelation. Robert Lowry was a 38-year old minister who was doing what his profession required when he felt overwhelmed, and as a result wrote a musical question,“Shall We Gather at the River. He must have helped many grieving families cope with death at that time in Brooklyn, New York, so he wouldn’t have been ridiculed for feeling a bit apocalyptic. Was it just a coincidence what happened to Lowry, the confluence of events that compelled his poetic spirit amidst the tragedy he was witnessing. These and perhaps many other questions may have occurred to this composer, and he had at least one question’s answer as he wrote out the hymn’s words that day. Robert Lowry was, ironically, a composer who might have preferred to have not been, compared to his other role as a minister. It is reported that Lowry once noted he felt a sense of loss as he came to be more well-known for his hymns than for his sermons. Nevertheless, he wrote some 500 texts over his lifetime, including collaboratively with Fanny Crosby and Annie Hawks, two fellow hymnists in the New York area. Lowry was ordained as a minister by 1854 upon his graduation from Bucknell (central Pennsylvania), and his subsequent role in multiple churches may in fact have played a part in what took place 10 years hence. He was the lead pastor in two churches in the New York City area, as well as in others in West Chester, Pennsylvania and in New Jersey. One can imagine that Robert may have had plenty on his plate at any one time, given all these church tentacles. Indeed, one sultry July 1864 day, Lowry was apparently very fatigued as a result of overwhelming events related to his ministry to the people. A plague was killing many in the region, including members of one church and a family to whom he spoke one day. When Robert comforted them with images of Revelation and the symbolic River of Life that the beloved apostle records in a vision, his own words must have lingered in his thoughts later, as he lay collapsed on a couch. It was there that the words to “Shall We Gather…” occupied his thoughts, first as a question, and then as the answer ‘Yes…’ that he recorded in the hymn’s refrain. It must have been exhilarating to hear the question and then the answer in his mind’s eye as he lay, trying to physically and emotionally recover from the day’s and the summer’s pestilential events. Maybe that episode was one that spurred him to continue hymn-writing, seeing it as a worthy extension of his ministry. His musical career did continue for some time, as he not only wrote hundreds of hymns, but also co-edited dozens of songbooks in the subsequent years. Robert’s experience is once again a testimony that death’s impact can nevertheless have a silver lining for those listening to their insides. He embraced it. He must have advised and comforted many people whose lament he heard, telling them what they needed to hear. It’s reported that Lowry had thought about death and crossing the Jordan, and perhaps therein lay his exhaustion, in the multitude of people he and others thought of as lifeless. He said he’d wondered why more writers had not focused instead on life in the crossing of Revelation’s river. The mental anguish was real in his experience, as he asked ‘Shall we gather’ – in other words will we all face death. But, in saying ‘Yes’, Robert was coaxing his listeners and himself that it’s better to think about the reality of what else, besides death, will accompany us and others in that experience. See information on the song story in these sources: The Complete Book of Hymns – Inspiring Stories About 600 Hymns and Praise Songs by William J. Petersen and Ardythe Petersen, Tyndale House Publishers, 2006. Then Sings My Soul – 150 of the...
Secret Famous Amos Chocolate Chip Cookies Recipe (brown sugar, mayonnaise, mini chocolate chips, cake mix, flour)
Now don't go "EEEWWW!!" before you try this! (peanut butter, black pepper, salt, toast, tomato)
Bubba Don't Eat This Onion Soup With Melted Mozzarella (buns, butter, beef broth, black pepper, garlic, leek, mozzarella cheese, salt, hot sauce, vidalia onions, water)
Brunch B T on English Muffins (bacon, tomato, english muffin, basil, miracle whip, red onions)
Aloitussivu - Amos Anderson taidemuseo
Amos Anderson (1878–1961) aloitti uransa liikemiehenä ja teollisuusyrittäjänä Helsingissä 1900-luvun alussa. Hän perusti talouslehtiä, mainostoimiston ja ...
Amos Alonzo Stagg - Wikipedia
Amos Alonzo Stagg (August 16, 1862 – March 17, 1965) was an American athlete and pioneering college coach in multiple sports, primarily American football.
Nijel Amos - Wikipedia
Early life. Nijel Amos is from Marobela Village in the North Eastern part of Botswana. He went to Shangano Community Junior Secondary School (2007–2009) in ...
William T. Amos
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Capt. William T. Amos led a company from Sidney during the Spanish ...
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